MANDEM is about transmutation -- about the metamorphic moments of life -- it works with evolution and overlapping and multivalent, multi-textured, variegated things. I am/we are both one thing and many things together. A piece of art may at once be singular, and yet comprised of billions of pixels and colors and textures and images all somehow, improbably, intertwining to resolve into a single framework. If this art ever seems to have a single, indisputable message or theme, you're probably missing something.

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